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興福寺中金堂の前で披露された演武。一箭さん(右)らの槍さばきに観光客らが見入った(奈良市で) |
あちこち聖地 十文字の槍しなやかに次代に 令和元(2019)年11月12日(火)読売新聞 夕刊・近畿版 戦国時代に現在の奈良市で発祥した「宝蔵院流槍術(そうじゅつ)」。江戸時代には全国最大の流派として発展し、その技や精神性は脈々と今に受け継がれてきた。これまで入門は男性しか許されなかったが、2年前に女性にも門戸を開放。地元の保存会などが槍(やり)に使うカシの木の育成に乗り出すなど、次代を見据えた取り組みが始まっている。 文・児島圭太 写真・近藤誠 奈良市 かつて宝蔵院があった奈良国立博物館(050・5542・8600)は、近鉄奈良駅から徒歩15分。敷地内に「宝蔵院流鎌槍発祥之地」と刻まれた石碑と、宝蔵院の井戸枠と伝わる六角形の石組みがある。興福寺の三重塔そばには、胤栄が槍の上達を願ってまつったとされる石「摩利支天(まりしてん)石」も残っている。 奈良市内の武道場を訪ねた。「エイッ」「アーッ」と気迫のこもった声が聞こえる。張り詰めた空気の中、形の習得に励む門下生たち。長さ2.7mの槍が交わるたび、カーンと乾いた音が響く。「なかなかの迫力でしょう」。第二十一世宗家の一箭(いちや)順三さん(70)が、にこやかに迎えてくれた。 宝蔵院流460年 宝蔵院は、奈良国立博物館が立つ場所にかつてあった興福寺の子院。槍術は、武芸を修行に取り入れた僧の胤栄(いんえい)が創始し、約460年の歴史を刻む。 穂先が十文字の形をした「鎌槍」が特徴的だ。突くだけでなく、相手の槍を受けたり、ひねり落としたりと多彩な技を繰り出せる。18世紀後半に書かれた剣豪・宮本武蔵の伝記「二天記(にてんき)」には、武蔵が胤栄の弟子と手合わせしてその技に驚き、武術談議で夜を明かした、との記述も残る。 道場は東京、名古屋やドイツなどにあり、門下生は計約100人。現代伝わる槍術の主要4流派の中で知名度は群を抜き、人気漫画「バガボンド」やNHK大河ドラマにも稽古風景が描かれた。 女性に門戸 創始以来、「女人禁制」だったが、2017年春、方針を転換した。「『伝統だから』の一言で、伝習を希望する女性を遠ざけるのは納得できなかった」と一箭さん。慎重な意見もあったが、最後は「技と精神性がきちんと伝承されれば問題はない」との結論でまとまった。 京都市伏見区の鈴木八寿子(やすこ)さん(49)は女性初の門下生。同年、夫の直(なおし)さん(50)に誘われたのがきっかけで、「槍を振る非日常感」に引き込まれた。槍の重さは2.1kg。稽古後は全身が筋肉痛になったが、毎週のように道場に通い、形を覚えた。「力の入れ方のコツをつかめば、性別に関係なく上達できる。普段の生活でも姿勢が良くなった」と充実の表情。現在、門下の女性は7人を数える。 寄付でカシ育成 気がかりな話もある。槍の柄には節のない真っすぐなカシ材が必要だが、林業者の減少や加工の難しさから、年々入手しづらくなっているという。危機感を募らせた一箭さんは13年、専門家の協力を受け、自宅の庭で苗木を育て始めた。16年には保存会で寄付を募り、県内の山林2500平方mを購入。高さ50cmほどに成長した苗木540本を植樹した。 伐採できるまでには30〜50年。息の長い取り組みになる。野生動物の食害を防ぐため、管理の手間もかかる。それでも、一箭さんは前を向く。「次世代に伝統を継ぐ責任が、私たちにはある。若い人たちがこのカシで作った槍で稽古する姿を想像すると、苦労は感じません」 9月下旬、昨年再建された興福寺の中金堂(ちゅうこんどう)前で、一箭さんら10人が稽古着姿で演武を奉納し、大勢の観光客らを魅了した。その華麗な槍さばきに、伝統の重みを垣間見たような気がした。 |
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胤栄が槍の上達を願ってまつったとされる摩利支天石 |
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穂先が十文字の形をした鎌槍 |
The Japan News by The Yomiuri Shimbun Japan in Focus Nara school preserves spear-wielding martial art Saturday December 28,2019 |
By Keita Kodama / Yomiuri Shimbun Staff Writer NARA - The Hozoin school of sojutsu, a Japanese martial art that uses a spear, was established in today’s Nara in the Sengoku period (the late 15th century to the late 16th century). In the Edo period (1603-1867), Hozoin developed into the nation’s largest martial arts school, and its techniques and spirituality have been passed down to the present day. The Hozoin school accepted only men for a long time, but opened its doors to women two years ago. Efforts aimed at passing sojutsu on to future generations are underway ? for example, a local association that preserves the martial art has begun to cultivate oak trees used to produce spears. When I visited the school’s training hall in Nara, I could hear energetic voices shouting “Ei!” and “Ah!” Amid this charged atmosphere, disciples of the school worked to master its techniques. A dry sound echoed each time the 2.7-meter-long spears crossed. “It’s very impressive, isn’t it,” said Junzo Ichiya, 70, the 21st master of sojutsu’s head family. 460 yearas of history Hozoin was formerly the name of a branch of the Kofukuji temple. It was once located where the Nara National Museum now stands. The martial art of the spear was established by In-ei, a Buddhist priest who used martial arts in his religious training. The Hozoin school is about 460 years old. The school’s style is characterized by the cross shape of the spearhead. The weapons are called kamayari, meaning sickle-like spears. They are used not only to stab but also to hold back the opponent’s spear, wrench it down and make various other moves. Nitenki, a biography of famous swordsman Miyamoto Musashi that was written in the latter half of the 18th century, contains an episode in which Musashi fights with a disciple of In-ei and is surprised by his skills. The two spend all night discussing their opinions about martial arts. The Hozoin school has training halls in many locations, including Tokyo, Nagoya and Germany. Its disciples total about 100. Among the four major surviving schools of the martial art of the spear, the Hozoin school’s name recognition is enormous. The school’s training was depicted in the Japanese manga series “Vagabond” and NHK’s yearlong drama series. Opening door to women From its establishment, the Hozoin school banned women from becoming disciples, but this policy was changed in the spring of 2017. Ichiya said, “I couldn’t convince myself that the school should just stick to tradition and continue to keep a distance from women who want to learn our martial art.” Some were cautious about the policy change, but the school finally decided that if its techniques and spirituality would be properly carried on, there was no problem. Yasuko Suzuki, 50, of Fushimi Ward, Kyoto, was the school’s first female disciple. She was invited to join in 2017 by her husband, Naoshi, 51. She found herself fascinated by “the extraordinary experience of wielding a spear.” Each of the school’s spears weighs 2.1 kilograms. After practice sessions, Yasuko’s muscles ached all over her body, but she has commuted to the training hall almost every week to learn how to move the spear. She said with a look of satisfaction: “Once you learn the important things about how to use your strength, you can improve your technique regardless of your gender. My posture has also improved in daily life.” There are now seven female students at the Hozoin school. Growing oaks There is, however, a source of concern. Oak wood, which is straight and does not contain knots, is needed to make the pikestaffs of spears. But according to the school, it has been increasingly hard as the years go by to obtain this wood, due to a decrease in the number of forestry workers and the difficulty of processing the wood. Ichiya’s concern has been growing on this issue, so in 2013, he began to nurture oak seedlings in his home garden with the cooperation of experts. In 2016, a local association for preserving the martial art collected donations and purchased a 2,500-square-meter-wide forest area on a mountain in Nara Prefecture. There, 540 oak seedlings were planted that have grown to be about 50 centimeters tall. It will take 30 to 50 years until the trees can be cut down for use, a remarkably long-term project. Much labor is needed to manage the trees and prevent them from being eaten or damaged by wild animals. But Ichiya was forward-looking, saying: “We’re responsible for passing on this tradition to future generations. Nothing feels difficult when I imagine young people practicing with spears made from these trees.” In front of the Chukondo hall of the Kofukuji temple, which was reconstructed last year, 10 members of the school, including Ichiya, clad in traditional training wear, demonstrated their training in the martial art in late September. A large number of tourists were fascinated by their demonstration. The beautiful moves of controlling the spears were like a glimpse of the weight of tradition. |
2020. 1. 8
2019.11.13